Having just seen the 2011 reboot of The Muppets, I am thinking two things. One: I want to see the Muppet Show, which I already wanted to see. And Two. If memory serves, there is only one song given to the two female leads, and this song is about one of two things. That is, either the song “Me Party” is about the need of a woman to have a man (even if the writers thought they said ‘everyone needs someone’ in a vague sense, or ‘loneliness sucks’), or it’s about female masturbation. I chose to believe it’s about the latter.
Now here’s where my friends, your friends, and most people who aren’t focused on the representation of women and minorities in media, will say either “that’s stupid, you’re reading way too much into it” or “it’s The Muppets, just turn off your feminism senses and enjoy the damn show.” And I do not hold to that. The idea that children’s media is either beyond analysis or too basic for it is a dangerous one: because we don’t question, we end up with statistics among children’s media like the ones found by the Geena Davis Institute a few years ago.
The Muppets is a fun romp, a decent musical (if a slightly lazy script), and unfortunately an example of the quite sexism, racism, and homophobia of the entertainment industry. Mary and Gary are the obvious everypersons, literally from “Smalltown USA”, a place that as far as we can tell is a pasteled and predominantly white suburban paradise. I mention this partially because of the assertion that the mythical Middle America actually exists, but also because it is depicted as a place where the class/racial/gender tensions are ignored to the point of invisibility.
Note the signs: of the few people of color in the opening song, two of the most prominent get the line ‘one to wash and one to dry’ in a song about life being great and working as a team. Faces met palms around the world.
And then even if Amy Adams’ Mary does awesomely and improbably fix a car in a classroom, the idea that smalltown women are all schoolteachers… That’s some Ann of Green Gables shit right there, that’s 103 years ago. Meanwhile neither Jason Segel’s Gary nor Walter-The-New-Muppet are shown as having… you know… jobs. (Like I said, the script isn’t the most thorough.) When it comes right down to it, Mary’s arc is pathetically old-fashioned: she wants to get married, and for some reason Amy Adams can never propose to anyone in her movies. What happens to her in the movie is almost solely that. Actually I’m not even sure The Muppets, an ensemble film, passes the Bechdel test. Wow. I really don’t think it does. Unless Mary talking to the waitress in “Me Party” counts, since she’s pining for her man.
The homophobia in The Muppets is simply that there seems to be no queerness at all (other than the inimitable Niel Patrick Harris), and everyone and most of the songs are straight as an arrow. And because when I first saw the poster, I was really hoping the matching suits meant that Gary and Walter were gay married. Which would have been awesome, lets face it.
This movie is a throwback, it’s based on 80s content, so the lack of women isn’t really its fault in a way. That said, these things still need to be said. The main dynamic in the movie is between Kermit, Walter, and Gary. Ms. Piggy and Mary even moreso are smaller lead roles, pushed by the wayside, essentially they’re… The Chicks.
But hey, at least they know how to have a “Me Party,” man-free. A song that’s supposed to be about loneliness, but is far and away the most empowering song in the movie. A woman needs no one else, she may like her *cough heterosexist cough* man, but she doesn’t need him. To have a “Me Party.” By which she means masturbation.